The MPEQ-1 is Undertone Audio's super-parametric saturation EQ in plugin form — four super-parametric bands with continuously variable Shape, dedicated HP/LP filters, Vari-Phase mode, and switchable solid-state / tube saturation on every band.
No rack. No patchbay. Hardware-grade shaping on every track.
Four super-parametric bands with continuously variable frequency, Q, and Shape — blend from surgical peak to broad shelf on any band. If a curve exists, the MPEQ-1 can draw it.
Each band carries its own switchable solid-state or tube-style saturation stage. Harmonic color exactly where you want it, and nowhere you don't. No other EQ plugin works this way.
Modeled on Undertone Audio's California-built EQs. Then add what hardware can't: real-time analyzer, instant A/B, full automation, presets, and unlimited instances.
Four short clips — every band, every shape, every drive stage, in seconds.
“Four bands. Every shape an EQ has ever made.”
The UTEQ500 sounds fantastic and is the most versatile EQ I've ever used. One of my top three 500 Series EQs, and one of my top four EQs ever.
Probably the most versatile 'console-style' analogue equaliser I've ever had the pleasure of testing. The notch and all-pass filters are the icing on a very special cake.
The rare EQ that can really do it all. Like no other EQ on this list, yet it can do almost everything the others can — and more.
Available now, direct from Undertone Audio. Buy it, download it, and have its super-parametric bands, saturation stages, and modern plugin workflow on your mix bus in the next five minutes.
